Jon Favreau Poker
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In perhaps the finest movie about Las Vegas ever, Swingers, Jon Favreau’s character says, “The trick is we gotta look like we don’t need the stuff, then they give us stuff for free.” He says this to a friend right before they enter a casino dressed to the nines, lose at blackjack after doubling down, get breakfast in the Age of. Young Sheldon is an American sitcom television series for CBS created by Chuck Lorre and Steven Molaro.The series is a spin-off prequel to The Big Bang Theory and begins with the character Sheldon Cooper at the age of nine, living with his family in East Texas and going to high school.
| Mrs. Parker and the Vicious Circle | |
|---|---|
| Directed by | Alan Rudolph |
| Produced by | Robert Altman |
| Written by | Alan Rudolph Randy Sue Coburn |
| Starring | |
| Music by | Mark Isham |
| Distributed by | Fine Line Features |
| |
| 126 minutes | |
| Country | United States |
| Language | English |
| Budget | $7,000,000 |
| Box office | $2,144,667[1] |
Mrs. Parker and the Vicious Circle is a 1994 American biographicaldrama film written by screenwriter/director Alan Rudolph and former Washington Star reporter Randy Sue Coburn. Directed by Rudolph, it starred Jennifer Jason Leigh as the writer Dorothy Parker and depicted the members of the Algonquin Round Table, a group of writers, actors and critics who met almost every weekday from 1919 to 1929 at Manhattan's Algonquin Hotel.
The film was an Official Selection at the 1994 Cannes Film Festival and was nominated for the Palme d'Or. The film was a critical but not a commercial success. Leigh won the National Society of Film Critics Award for Best Actress.
Peter Benchley, who played editor Frank Crowninshield, was the grandson of Robert Benchley, the humorist who once worked underneath Crowninshield. Actor Wallace Shawn is the son of William Shawn, the longtime editor of The New Yorker.
Cast[edit]
- Jennifer Jason Leigh as Dorothy Parker
- Campbell Scott as Robert Benchley
- Matthew Broderick as Charles MacArthur
- Peter Gallagher as Alan Campbell
- Jennifer Beals as Gertrude Benchley
- Andrew McCarthy as Eddie Parker (Edwin Pond Parker II)
- Wallace Shawn as Horatio Byrd
- Martha Plimpton as Jane Grant
- Sam Robards as Harold Ross
- Lili Taylor as Edna Ferber
- James LeGros as Deems Taylor
- Gwyneth Paltrow as Paula Hunt
- Nick Cassavetes as Robert Sherwood
- David Thornton as George S. Kaufman
- Heather Graham as Mary Kennedy Taylor
- Tom McGowan as Alexander Woollcott
- Chip Zien as Franklin P. Adams
- Gary Basaraba as Heywood Broun
- Jane Adams as Ruth Hale
- Stephen Baldwin as Roger Spalding
- Matt Malloy as Marc Connelly
- Rebecca Miller as Neysa McMein
- Jake Johannsen as John Peter Toohey
- Amelia Campbell as Mary Brandon Sherwood
- David Gow as Donald Ogden Stewart
- Leni Parker as Beatrice Kaufman
- J. M. Henry as Harpo Marx
- Stanley Tucci as Newt Hunter
- Mina Badie as Joanie Gerard
- Randy Lowell as Alvan Barach
Given the historical impact of many of the people portrayed in the film, the ensemble nature of the cast led to opening credits displaying all 30 actors listed above. Other historical characters, in brief appearances, included portrayals by Keith Carradine as Will Rogers, Jon Favreau as Elmer Rice, lead character Robert Benchley's grandson – Jaws author Peter Benchley – as Frank Crowninshield, Malcolm Gets as F. Scott Fitzgerald and Gisele Rousseau as Polly Adler.
Development[edit]
Director Alan Rudolph was fascinated with the Algonquin Round Table as a child when he discovered Gluyas Williams' illustrations in a collection of Robert Benchley's essays.[2] Speaking in 1995, he said 'the Algonquin Hotel round table, what it symbolised, and the ripple effect that went out from it, was probably up there in the 50 most significant events of the century'.[3] After making The Moderns, a film about American expatriates in 1920s Paris, Rudolph wanted to tackle a fact-based drama set in the same era. He began work on a screenplay with novelist and former Washington Star journalist Randy Sue Coburn about legendary writer Dorothy Parker. In 1992, Rudolph attended a Fourth of July party hosted by filmmaker Robert Altman who introduced him to actress Jennifer Jason Leigh. Rudolph was surprised by her physical resemblance to Parker and was impressed by her knowledge of the Jazz Age. Leigh was so committed to doing the film that she agreed to make it for 'a tenth of what I normally get for a film'.[2]
The screenplay originally focused on the platonic relationship between Parker and Robert Benchley, but this did not appeal to any financial backers.[2] There still was no interest even when Altman came on board as producer. The emphasis on Parker was the next change to the script, but Rudolph still had no luck finding financing for 'a period biography of a literate woman.'[2] Altman used his clout to persuade Fine Line Features and Miramax—two studios he was making films for—to team, with the former releasing Mrs. Parker and the Vicious Circle domestically and the latter handling foreign distribution.[2] Altman claimed that he forced the film to be made by putting his own money into it and 'I put other projects of mine hostage to it. I did a lot of lying'.[4]
Rudolph shot the film in Montreal because the building facades in its old city most closely resembled period New York City.[2] Full financing was not acquired until four weeks into principal photography.[5]
The film's large cast followed Leigh's lead and agreed to work for much lower than their usual salaries. Rudolph invited them to write their own dialogue, which resulted in a chaotic first couple of days of principal photography. Actor Campbell Scott remembered 'Everyone hung on to what they knew about their characters and just sort of threw it out there.'[2] Actress Jennifer Beals discussed this in her appearance on the Jon Favreau documentary program Dinner for Five, where she stated that much dialogue was improvised in the style of the real-life characters actors were playing, but that many of those characters were not integral to the plot. As such, many of the actors had much larger parts that were edited to nearly nothing. The cast trusted their director during the 40-day shoot. They stayed in a run-down hotel dubbed Camp Rudolph and engaged in all-night poker games. Leigh chose not to participate in these activities, preferring to stay in character on and off camera. She did a great amount of research for the role and said 'I wanted to be as close to her as I possibly could.'[2] To this end, Leigh stayed for a week at the Algonquin Hotel and read Parker's entire body of work. In addition, the actress listened repeatedly to the two existing audio recordings of Parker in order to perfect the writer's distinctive voice. Leigh found that Parker 'had a sensibility that I understand very, very well. A sadness. A depression.'[2]
Reception[edit]
A rough cut of Mrs. Parker and the Vicious Circle was screened at the 1993 Cannes Film Festival where it divided film critics. It was rumored afterwards that Leigh re-recorded several scenes that were too difficult to understand because of her accent but she denied that this happened.[5] The film was an Official Selection at the 1994 Cannes Film Festival and was nominated for the Palme d'Or.[6]
For her performance in the film, Leigh was nominated for both the Golden Globe Award for Best Actress in a Motion Picture – Drama and Independent Spirit Award for Best Female Lead.
Year-end lists[edit]
- 4th – Michael Mills, The Palm Beach Post[7]
- 6th – Desson Howe, The Washington Post[8]
- 10th – Scott Schuldt, The Oklahoman[9]
- Top 10 (listed alphabetically, not ranked) – Jimmy Fowler, Dallas Observer[10]
- Top 10 (not ranked) – Betsy Pickle, Knoxville News-Sentinel[11]
- Honorable mention – Jeff Simon, The Buffalo News[12]
- Honorable mention – Glenn Lovell, San Jose Mercury News[13]
- Honorable mention – Michael MacCambridge, Austin American-Statesman[14]
References[edit]
- ^Mrs. Parker and the Vicious Circle at Box Office Mojo
- ^ abcdefghiCarpenter, Tessa (August 29, 1993). 'Back to the Round Table With Dorothy Parker and Pals...'The New York Times. Retrieved May 26, 2010.
- ^Johnston, Trevor (March 10, 1995). 'Living by her wits'. The List. Retrieved August 26, 2020.
- ^Weinraub, Bernard (July 29, 1993). 'Robert Altman, Very Much A Player Again'. The New York Times. Retrieved May 26, 2010.
- ^ abAppelo, Tim (December 23, 1994). 'Finding Dorothy Parker's Voice'. Entertainment Weekly. Retrieved May 26, 2010.
- ^'Festival de Cannes: Mrs. Parker and the Vicious Circle'. festival-cannes.com. Retrieved August 30, 2009.
- ^Mills, Michael (December 30, 1994). 'It's a Fact: 'Pulp Fiction' Year's Best'. The Palm Beach Post (Final ed.). p. 7.
- ^Howe, Desson (December 30, 1994), 'The Envelope Please: Reel Winners and Losers of 1994', The Washington Post, retrieved July 19, 2020
- ^Schuldt, Scott (January 1, 1995). 'Oklahoman Movie Critics Rank Their Favorites for the Year Without a Doubt, Blue Ribbon Goes to 'Pulp Fiction,' Scott Says'. The Oklahoman. Retrieved July 20, 2020.
- ^Zoller Seitz, Matt (January 12, 1995). 'Personal best From a year full of startling and memorable movies, here are our favorites'. Dallas Observer.
- ^Pickle, Betsy (December 30, 1994). 'Searching for the Top 10... Whenever They May Be'. Knoxville News-Sentinel. p. 3.
- ^Simon, Jeff (January 1, 1995). 'Movies: Once More, with Feeling'. The Buffalo News. Retrieved July 19, 2020.
- ^Lovell, Glenn (December 25, 1994). 'The Past Picture Show the Good, the Bad and the Ugly -- a Year Worth's of Movie Memories'. San Jose Mercury News (Morning Final ed.). p. 3.
- ^MacCambridge, Michael (December 22, 1994). 'it's a LOVE-HATE thing'. Austin American-Statesman (Final ed.). p. 38.
External links[edit]
- Mrs. Parker and the Vicious Circle on IMDb
- Mrs. Parker and the Vicious Circle at Rotten Tomatoes
In perhaps the finest movie about Las Vegas ever, Swingers, Jon Favreau’s character says,
“The trick is we gotta look like we don’t need the [stuff], then they give us [stuff] for free.”
He says this to a friend right before they enter a casino dressed to the nines, lose at blackjack after doubling down, get breakfast in the Age of Enlightenment, and meet two beautiful women.
While it’s debatable that dressing the part of a high roller is enough to get you comped like a pro, there is a certain respect that players can earn if they act like they’ve been there before.
That little extra respect can be nice when you’re hitting a casino to play poker. It might keep the pit boss and dealers from paying too much attention to you, the service might be a little prompter, and the others at the table a little more intimidated by you.
If that sounds like something you’d like to happen during your next game of poker, here are 10 basic tips you can use to act like a poker pro even if you aren’t one.
1 – Dress the Part
Given the reference to Swingers above, you might think that dressing the part means donning a suit and tie (or fancy dress), shiny shoes, and trying to blind your poker opponents with your sheer opulence. Fortunately, that’s not exactly the case (unless your particular poker place has a dress code).
What you really want is to avoid looking too sloppy. Avoid unintentionally ripped jeans or stains on your shirt, and you will go a long way toward seeming you like you belong at this table.
2 – Know the Basics
It has to be said that if you want to act like a poker pro, you need to know the game. There’s not a poker pro alive who doesn’t know how to play their game, so if you want to act like a pro, know the rules.
You don’t need to study every little piece of strategy, nor do you need to be a walking encyclopedia of every poker rule ever. Just know the game enough to the point where you don’t have to ask about it and you are on your way to acting like a pro.
3 – Speak the Language
No matter what you’re doing, if you can’t speak the language, you will not fit in. If you don’t fit in, you will start to draw attention to yourself in a negative way and won’t be able to command the respect you want. Plus, you will out yourself as a rookie to the pit boss, waitstaff, and dealers, and they’re the ones you would like a little special treatment from.
Therefore, learn the basic terminology of the game, including terms like “flop,” “on the button,” and “pocket kings” if you’re playing Texas hold’em. Understand a “double down” and what it means to “split aces” for blackjack. Then, use those phrases properly. As long as you speak the language, you will quickly be accepted as a poker pro.
4 – Know the Major Players of the Game
Poker players like to talk about the game, and talking about it includes famous poker rounds played by the real pros. Really, this is the same as any sport. Fans like to relive the famous moments. Even if you have never actually seen any of the hands of poker those around you are talking about, you should know most of the players involved.
If you show up and have no idea who Daniel Negreanu, Phil Hellmuth, or Phil Ivey are, you will out yourself as a rookie. If you at least know who they are, you stand a better chance of being treated like a pro.
5 – Don’t Over Communicate
Rookies talk. Players play.
Almost universally, the person at the table who is spitting out the biggest volume of words is a newbie. It’s possible they could be a pro playing mind games, but more often than not, someone is chatting to hide the fact they don’t feel confident about their hand.
Don’t be that person. Be friendly, chat when it’s appropriate, but don’t over speak or else no one will believe you are a pro.
6 – Avoid Obvious Tells
The professional poker player is one cool customer. They don’t rattle easy, then don’t emote, and they maintain the same demeanor when they have a great hand as when they have garbage. That is a skill that you have to develop over time and, if you’re like many non-professionals, you will always have a tell or two.
Still, if you want to act like professional, try to avoid any obvious tells. Some of the most common tells include laughing or smiling at your face down cards, groaning, frowning, saying “c’mon” or “about time.” All of these will make you out as a rookie because a true poker pro would never act like that.
7 – Always Tip
You don’t have to be a huge tipper, but tip your cocktail waitress a couple of bucks when she brings a drink. Tip the dealer a dollar for each small pot you win and a few dollars for a large pot, plus a couple bucks when they leave the table.
Jon Favreau Producer
Tipping is always a classy move, it’s something that poker pros always do, and it’s going to earn you a lot of respect around the poker room in which you play. Just don’t tip the pit boss. That’s not appropriate and may feel like a bribe.
8 – Don’t Lose Your Cool
Poker pros, for the most part, keep their cool.
Jon Favreau Poker Player
Sure, there are plenty of meltdowns during televised poker events because those are good for the audience. However, in the real world, poker pros are calm, cool, and collected with that magical poker face.
That means no excessive celebrating when you win, no whining when you lose, and generally showing good sportsmanship.
9 – Take the Casinos Less Traveled
Poker pros will make appearances at the latest and greatest hotels and casinos because it’s a good place to be seen. They also have the bankrolls to absorb some of the costs that go along with such places.
One thing you can do to seem like a much more powerful poker player is to find some of the mid-tier casinos and spend your time there. These places will draw players who are looking for action and who have the money to back it up, so you will get your challenge.
However, you can avoid some of the sharks and bankroll killers who want to play competitively and have a tendency to expose when a player doesn’t know as much as they act like they do.
Also, if you are a regular at the same place, it’s a good way to get respect from those who work there.
10 – Play
Jon Favreau Problems
Perhaps the best thing you can do if you want to act like a pro is do the one thing that poker pros do a lot—play poker. This can be online so that you can gain the experience in lots of poker situations, but it can also mean just getting out, finding a poker room, and starting to work on being a regular.
The more you are seen playing, the more others will think you are hot stuff, even if you’re not playing for the highest stakes. The best part is that once you play a lot, people will start to talk about your matches and relive hands that you played. Then, at least, you are familiar with the players.
Conclusion
At some level, it may seem kind of silly to spend time trying to act like a poker pro, but in all seriousness, it is something that might help your game and, most likely, make the act of playing more fun.
If other players think you know what’s going on, they will alter their strategy around you. They may bluff less or play tighter because of your perceived skill. That’s a good thing.
Also, the more you act like a pro, the more fun you will have because other players will come to you to talk about the game. You might get a little extra of the good attention from the poker room staff (in the form of a little extra free stuff), and others are likely just to be nicer to you.
All in all, for the price of a clean polo and a few less words, that’s not a bad trade off.